FIELD STUDIES is a series of works by Elizabeth A. Baker, that explore human presence in various sonic landscapes. All performances are done as a one shot recording, with most of the panning and sonic movement attributed to the placement of the toy piano, synth, voice, waterphone, and found objects in physical space away from or next to the recorder. The works are then gently manipulated in the studio, they serve multiple roles as standalone object d’ art and partners to static and moving images.